Martina Lindqvist

Martina Lindqvist series Neighbours consists of isolated houses on a background of snow and ice. There are no people or other dwelling places in sight and the houses almost look like toys. The title contradicts the images. Loneliness seems absolute. In a her artists statement  Lindqvist says ‘The discrepancy between ‘objective reality’ and subjective experience has, for as long as I can remember , been at the forefront of my work…..It is in this vein, of attempting to make visible that which is not really there, that I approach my photography’ (Martina Lindqvist, 2017). These images of desolate houses, failed attempts to settle as people move towards the towns and away from the countryside are both beautiful and terrifying. This is what can happen to a place that loses its meaning.

Untitled #7, from Neighbours, 2014
From Neighbours © Martina Lindqvist

Lindqvist has also produced Murmurs, a series of vanitas pieces that show dying flowers against a background of her grandmother’s wallpaper.  Her grandmother was a proud person, ‘keeping up appearances’ but when the images were taken was suffering from Alzheimer’s and could not remember her past.  The reflect on the coming of death, and what is – or is not- important at that time.

finland 010
from Murmurs © Martina Lindqvist

A third series A Thousand Little Suns also shows houses and buildings (possibly farms) that as set alone in the fields. This time they are shown at night, lit eerily. The source of the light is difficult to fathom. Are these ‘real ‘images? How has she made them? Are they an illusion?

Overall, her images riff on the frailty of life. The isolation of being old and deserted. Were these buildings ever a warm and loving home? What happened? What went wrong?


Martina Lindqvist (2017) At: (Accessed 13/08/2020).

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